蔡氏一直專注拓展城市刻畫的可能性,透過於繪畫中編織不同回憶碎片,塑造及保存各種消逝中的城市面貌與印象。她的創作過程就像在晦暝的陰天尋找光芒一般,作品經常透過對照可見與潛藏的、自然與人造的、分散與聚合的,以及微小與龐然的都市物象,帶出人類的渺小,投射自身的心境。如果一張畫盛載著無數「借來的空間、借來的時間」,蔡氏除了設法拼湊在當下不斷逝去的城市印象,也試圖從時空的虛實、不協調、不由自主之中尋找彼此的縫合點。她近年常以木材及回收舊木為繪畫「夥伴」,透過保存、打磨、洗刷及潑灑的反覆過程,將自身的精神思想狀態注入物料之中,從多視角及層疊時空的城市描繪中尋找自由的定義。
蔡氏在2009年畢業於香港中文大學藝術系,後於2012年獲倫敦切爾西藝術與設計學院碩士學位。藝術家此前個展包括於香港嘉圖現代藝術舉辦「彼月此日」(2023、「如是_偏安一隅」(2020)、「屏息——蔡鈺娟個人展覽」(2015)及「康福臺——蔡鈺娟個人展覽」(2011);她亦曾參與香港、臺灣、日本及倫敦各地群展。
學歷 |
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二零零九 | 畢業於香港中文大學藝術系 | |
二零一二 | 畢業於倫敦切爾西藝術與設計學院 | |
個人展覽 |
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二零二叁 | 《彼月此日》,Grotto SK W,香港 | |
二零二零 | 《如是_偏安一隅》蔡鈺娟個人作品展,Grotto Fine Art,香港 | |
二零一五 | 《屏息 — 蔡鈺娟個人展覽》嘉圖現代藝術,香港 | |
二零一一 | 《康福臺 — 蔡鈺娟個人展覽》 嘉圖現代藝術,香港 | |
其他展覽 |
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二零二一 | 《Art Basel 2021》香港會議展覽中心,香港 | |
《意識聚集》,第二十九屆亞洲國際美術展覽會,日本福岡九州藝文館,日本 | ||
《意識聚集》,第二十九屆亞洲國際美術展覽會-香港展,藝穗會,香港 | ||
《嘉圖20周年聯展》,嘉圖現代藝術SKW,香港 | ||
二零二零 | 《即日上映》,Karin Weber Gallery,香港 | |
二零一九 | 《期中考》,節點藝術空間,台灣 | |
《新神劇場》, Rossi Rossi Gallery, 香港 | ||
《木每雙生——文學視藝的再世紅梅》,1a Space,牛棚藝術村,香港 | ||
《感知自然——就是龍虎山展覽》,龍虎山環境教育中心,香港大學,香港 | ||
《西西時間 — 像這樣的一個作家》展覽,誠品,香港 | ||
《節點自介——下港博覽會》,節點,臺南市,台灣 | ||
《結隊向前行:新亞七十藝術展》,Hart Hall,H Queen,香港 | ||
二零一八 | 《Art Basel 2018》 香港會議展覽中心,香港 | |
二零一七 | 《潤物無聲》- 陳瑞瑩、蔡鈺娟聯展, 嘉圖現代藝術,香港 | |
二零一六 | 《典亞藝博》 香港會議展覽中心,香港 | |
《Art Basel 2016》 香港會議展覽中心,香港 | ||
二零一四 | 《典亞藝博》 香港會議展覽中心,香港 | |
《Art Basel 2014》 香港會議展覽中心,香港 | ||
《Girls’ Talk - 女性藝術家聯展》 嘉圖現代藝術,香港中環雲咸街三十一號C-D 一樓 | ||
《週街搞藝術》 九龍城聯展,香港 2013 | ||
《The Spirit of Ink: 12 香港藝術家》蘇富比藝術空間,香港金鐘太古廣場一座五樓 | ||
二零一二 | MA show 2012 | |
Chelsea College of Art and Design,倫敦 | ||
Chelsea Salon Series | ||
Round Chapel, Powerscroft Road,倫敦 |
Pushing the possibilities of urban imagery, Choi is interested in giving shape to the perishing impressions of a city through interweaving fragments of memory in her painting. Her creative process is like searching for light under overcast skies. The landscapes she paints often remind us of humanity’s insignificance through juxtaposing the visible and the invisible, the artificial and the natural, the scattered and the gathered, micro and macro beings; their coexistence reflects the artist's state of mind. If a painting is a manifestation of infinite borrowed space and time, Choi attempts to negotiate within the gap between the tangible and the intangible, and indescribable space and time with the light of hope and the power of urban imagery. In recent years, Choi has familiarised herself with wood and explores the definition of freedom with multi-perspective and layered temporalities, imbuing the material with her state of mind through the repetitive processes of preserving, sanding, washing, and sprinkling.
Choi holds a BA in Fine Art from the Chinese University of Hong Kong (2009), and an MA in Fine Art from the Chelsea College of Art and Design, University of London (2012). Her previous solo exhibitions include Crossing the lines Filling the nights (2023), borrowed space_borrowed time (2020), The Breathing Room (2015), and Comfort Terrace (2011) at Grotto Fine Art, Hong Kong; and she has participated in various group shows in Hong Kong, Taiwan, Japan, and London.
Education |
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2009 | Graduated from BA Fine Art, Chinese University of Hong Kong. | |
2012 | Graduated from MA Fine Art, Chelsea College of Art and Design, University of London. | |
Solo Exhibitions |
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2023 | “Crossing the lines Filling the nights”, Grotto SKW, Hong Kong | |
2020 | “Borrowed Space_Borrowed Time”, Grotto Fine Art, Hong Kong | |
2015 | “The Breathing Room”, Grotto Fine Arts, Hong Kong | |
2011 | “Comfort Terrace" Choi Yuk Kuen's Solo Exhibition, Grotto Fine Arts, Hong Kong | |
Selected Exhibitions |
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2021 | “Art Basel 2021”, Grotto Fine Art, Hong Kong | |
“Gathering of Consciousness”, The 29th Asian International Art Exhibition, Kyushu Arts and Cultural Center of Fukuoka, Kyushu Geibun-kan, Japan | ||
“Gathering of Consciousness”, The 29th Asian Int’l Art Exhibition - Hong Kong Return Show ,The Hong Kong Fringe Club, Hong Kong | ||
“Grotto 20th Anniversary Exhibition”, Grotto SKW, Hong Kong | ||
2020 | "Now Showing", Karin Weber Gallery, Hong Kong | |
2019 | “期中考”, Zit-Dim Art Space, Tainan, Taiwan | |
“Theatre of New Gods”, Rossi & Rossi Gallery, Wong Chuk Hang, Hong Kong | ||
"Literature X Visual Arts: The Reincarnation of Lady Plum Blossom", 1a Space, Cattle Depot Artist Village, Hong Kong | ||
The Pulse of Nature — Lung Fu Shan Exhibition, Lung Fu Shan Environmental Education Center, University of Hong Kong, Hong Kong | ||
“Time of XiXi”, eslite, Hong Kong | ||
"Together We March Forward: New Asia 70th Anniversary Art Exhibition", Hart Hall, H Queen, Hong Kong | ||
"An introduction of Zit-Dim Art Space", Zit-Dim Art Space, Tainan, Taiwan | ||
2018 | Art Basel 2018, Grotto Fine Art, Hong Kong Girls’ Talk, Grotto Fine Art, Hong Kong | |
2017 | "Drips of Serenity" Joint Exhibition of Zaffer CHAN and Bouie CHOI, Grotto Fine Art, Hong Kong | |
2016 | Fine Art Asia 2016, Grotto Fine Art, Hong Kong | |
Art Basel 2016, Grotto Fine Art, Hong Kong | ||
2014 | Fine Art Asia 2014, Grotto Fine Art, Hong Kong | |
Art Basel 2014, Grotto Fine Art, Hong Kong | ||
"Hong Kong Girls’ Talk", Grotto Fine Art, Hong Kong | ||
"Zau Gaai Gaau Ngai Seot - Street show in Kowloon City", Hong Kong | ||
2013 | "The Spirit of Ink: 12 Hong Kong Artists", Sotheby’s Hong Kong Gallery, Admiralty, Hong Kong | |
2012 | MA show 2012, Chelsea College of Art and Design, London | |
Chelsea Salon Series, Round Chapel, Powerscroft Road, London |