如是_偏安一隅
borrowed space_borrowed time
蔡鈺娟個⼈展覽
Solo exhibition by Bouie Choi Yuk Kuen
Amidst the urban imagery, Choi intends to depict how the object attempted to collide with the negative space but in vain. It is like searching for light over the overcast sky. While the landscape often reminds us how insignificant we are, the high-rise buildings, the enormous creature, the giant… these objects not only contrasted but also projected the artist’s state of mind. If a painting is a carrier of infinite borrowed space and time, Choi is attempting to reconnect the gap between the real and the unreal, the indescribable space and time with the light of hope, and her army of urban imagery.
蔡⽒這⼀次繪畫城市物象,更像在描繪空氣與物件的碰撞,像在晦暝的天陰⽇,看⾒有光。「⼭⽔總是在提醒著⼈是渺⼩的」,居⾼的建築物、龐然的⽣物、巨⼤的⼈,這些不僅是對照,也是藝術家的⼼境投射。如果畫作是盛載著無數個「借來的空間、借來的時間」的「(再)載體」, 蔡⽒這次除了拼湊不同景物,也試圖從時空的虛實、不協調、不由⾃主,在過隙期間嘗試修復、尋找彼此的縫合點。






Selected Artworks (click to view)
-
The surf watcher
- The quarantined witnesses
- The mountain city
-
a borrowed place on borrowed time
- it is ok to be not safe
- failing asleep

無風雨,也無情
The surf watcher
2020, acrylic on wooden board, 152X91 cm

The quarantined witnesses
這次不怎缺席
2020, acrylic on wood, 152.4 x 60.9 cm

The mountain city
山城
2019, acrylic on wood with vintage frame, 41 x 32 cm

如是偏安一隅
a borrowed place on borrowed time
2020
Acrylic on wood
9’X4’ (a set of 6, each of 3’X2’ wooden panel)

it is ok to be not safe
居安思過危
2020, acrylic on upcycled hardwood floorboard, 91.4 x 45.7cm

failing asleep
裝睡的人睡不醒
2020, acrylic on upcycled hardwood floorboard, 91.4 x 45.7cm