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Art Basel Hong Kong 2025

at Grotto Fine Art, Booth 1C02!

 

Image:

Under the table

2025
Acrylic on wood
151.5 x 60.4 cm

 

 

And Photo of us together by @southho66 @ho66.studio

Three Tired Tiger in Jameel Arts Centre

2/11/2024 - 16/3/2025

curated by Lucas Morin

Courtesy of Art Jameel. Installation Photography by Daniella Baptista.

“‘𝘔𝘦𝘴𝘴𝘦𝘯𝘨𝘦𝘳𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘞𝘪𝘭𝘥’is composed of eight sent postcards, murmuring the fragments of ‘home’ while the segments of landscapes and scenes assemble into a new place provided by a wild boar—a oneness of the wild and our home. Like the story of ‘The Blind Men and the Elephant,’ it’s easy to mistake the part for the whole; each postcard offers a unique perspective yet contributes to a larger narrative. To the artist, wild boars symbolize the wild spirit of liberty, fertility, and bravery under oppression in her paintings.”

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In ‘𝙏𝙝𝙧𝙚𝙚 𝙏𝙞𝙧𝙚𝙙 𝙩𝙞𝙜𝙚𝙧’, artists encourage us to view our cities and landscapes from a primarily four-legged perspective. Bringing together more than 40 artists and collectives, drawing from politics, history, economics and urbanism, the exhibition is a playful yet serious exploration of human-animal relationships in these shared geographies. In cities designed primarily for humans, radically separated from nature, kept captive for food or show, animals are often seen as either pets or pests. Despite this, animals find ways to prosper in urban gaps and find communities that welcome them. They resist control and management strategies, compelling us to think about what coexistence truly means. 

 

𝘽𝙤𝙪𝙞𝙚 𝘾𝙝𝙤𝙞, 𝘾𝙝𝙪 𝘾𝙝𝙪, 𝙅𝙞𝙖 𝙎𝙪𝙣𝙜: 𝙃𝙮𝙗𝙧𝙞𝙙 𝙉𝙖𝙩𝙪𝙧𝙚

09 Jan - 01 Mar | 2025

Alisan Fine Art NY
120 E 65th St, New York, NY 10065, United States

The recent body of work on view at Alisan Fine Arts NYC is rooted in the symbolism of trees—primarily palm trees—as witnesses to our shared experiences and as 'threads' connecting us under global challenges. The idea actually began when I came across the story of 2,000-year-old Judean date palm seeds that were scientifically revived. That got me thinking about palm trees as symbols of peace and victory, and from there, the work expanded. These paintings are not only portraiture of these ‘witnesses’ but also the temperature of the struggles, fears, and indifference of our times, intertwining the sentimental, political, climatic, and spiritual dimensions of our collective consciousness.

Finalist of The 2024 Sovereign Asian Art Prize
View the shortlisted artworks online and vote for your favourite artist on 2024 Sovereign Asian Art Prize’s website.

𝘥𝘪𝘮𝘱𝘭𝘦𝘥
2023
Acrylic on teak floorboard
91.2 x 44.3cm

Currently Showing:

click on the image to read on www.artbasel.com

Art Basel 2024, Booth 1C03, Grotto Fine Art:

Detail of Aurora, 2024, acrylic on wood, 151.5X60.4cm

'Landscape as Metaphor: Contemporary Voices', Alisan Fine Arts, New York

27 Feb to 27 April 2024

Pop goes the soda can is currently showing together with Chu Chu, Lam Tung Pang, Kelly Wang and Yang Yongliang in 'Landscape as Metaphor: Contemporary Voices'

For more details:

http://www.alisan.com.hk/en/exhibitions_detail.php?id=232

Pop goes the soda can, 2024, acrylic on wood, 91.4X60.9cm

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Selected Exhibitions from 2023 to 2024:

Shifting Fields: Contemporary Chinese Painting, Stanford Art Gallery, curated by Xie Xiao Ze.

30 Jan to 15 March 2024

Three Pieces from the series 'Here and there' are scattered to another continent, together with the painting of reclaimed wood. The exhibition space is special and relevant for the pieces which used the reclaimed wood from the church in Hong Kong.

Installation images by Damon Andrew Casarez

Artwork images by South Ho

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Like Water Like Shadow, Sonic-visual interplay, Hong Kong New Music Ensembles, Curated by John Batter and Joyce Tang, 17 to 21 Jan, 2024

Like Water Like Shadow
2024
Single-channel digital video (8mins 2sec)
carousel slide projector (80 collaged vintage slides), lamp of shadow

The installation was composed of three intertwined parts, each moving at its own pace. Through the captivating music of 'Like Water' by Bun-Ching Lam from 1997, the audience's attention was guided and connected. Their gaze was drawn to an experimental stop-motion projection, while getting lost in the nostalgic beats and a collection of 80 vintage Hong Kong slides displayed through a carousel slide projector. The presence of the 'lamp of shadow' brought a sense of real-life experience, evoking feelings of both longing and intimacy. It reminded us of the passage of time and the fleeting nature of light.

Credit List:
Video footages: South Ho
Video Editing and production: Bouie Choi
Soundtrack: Movement 7 from ‘Like Water’, Bun-Ching Lam, 1997

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We stay up late to behold the beauty of the stars, pf 25, Basel, Switzerland,

13/6 - 30/6/2023

We stay up late to behold the behold the beauty of the stars

A solo exhibition of Bouie Choi, curated by Angelika Li

Installation shots by Maris Mezulis